In modern architecture, there are
always the unspoken rules on what is in proportion. When the design is not base
on mathematical arrangement, how did architects/designers evaluate what is a
good design?
In music, the variation of harmony
can be distinguished by listening, or most obviously, while learning. There are
different definitions of harmony. For example, Chopin way of putting harmony
together is totally different than how Bach does. Chopin uses his harmony in a
very rich way. In other words, every chord combination is perfect. His notes
always look dense, his chord-spans are usually close to human extreme (same
with Liszt and Rachmaninoff); therefore it looks difficult to learn. However,
surprisingly, when learning his new piece, every moment is in harmony, you
would know this chord is right without mis-reading from his dense notes. In
this way, even though Chopin notes are looks much more complicated than Bach,
learning his piece is easier since your ears instruct hands to learn this
piece. It makes the learning process pleasant because the happiness of conquer
appears right away. While for Bach, especially for fugue, piano learners can
easily lose the patience of learning. The piece looks less dense than Chopin of
course, but his harmony is in movement instead of solid chords; in other words,
his harmony is delayed and elongated. There are hardly any harmonized moments,
but phrase instead. Harmony in Baroque music is by alternating the theme rhythm
in different period. Learning a Baroque piece is totally different than any
other classical music. There are at least 2 lines themes, or even 7 themes
performing together. It is the themes that compliment each other. Since it
lacks of moments in Bach fugue, learning is always difficult. You might have
already familiarized one hand playing 4 themes, but putting both hands together
playing totally difference harmony and rhythm is very challenging.
I personally think Oslo Opera House
can represent Chopin or Rachmaninoff. It is elegant, pure, harmonized. Its
beauty appears in asymmetric balance, like Chinese calligraphy. The harmony of
materials (dark blue glazing and white marble) represent glacier. I feel purified when walk through the space, as well as
playing Chopin. For Baroque music, I have found similarities with Zaha
buildings. In her drawings, there are always repetition of elements appears in
different moments, and they have relation with each other at some points. Interweaving
and flowing together as a whole. I guess these harmonized drawings and also due
to the fact that she listen to Bach while designing.
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